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Post by account_disabled on Feb 1, 2018 5:27:51 GMT -5
Hello, I was looking at Takashi Miike's extremely long list of directorial credits today - sometimes totaling as much as a dozen films a year. From what I understand, a great number of these films are made and released specifically for the DVD market. The only Miike film that I own and have seen is Audition, which apparently was a theatrical feature (and a very good one at that, as I remember). However, I am curious about Miike's work, and more generally about the "straight to DVD" filmmaking approach. How widely is this filmmaking strategy used in Japan and the rest of Asia? What are the benefits and drawbacks of the system (both creatively and financially)? How has it impacted the film industry in the Asian region? I would be interested to read the comments of forum members with a greater insight into this filmmaking system, as well as the work of both Miike, and other Asian filmmakers working in this mode. References to texts (on and off the internet) are also welcome. Thanks I didn't find the right solution from the internet. References: www.criterionforum.org/forum/viewtopic.php?p=126745SaaS Promotion Examples
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